Avançar para o conteúdo principal

log entry: star wars vs architecture #02

Otto Wagner and the Millenium Falcon
www.lifewithoutbuildings.net


The Millennium Falcon. As Han Solo’s ship, it played a crucial role in the victory of The Rebellion over the Empire in the Star Wars films. Imagine my shock when that infamous smuggling vessel lept off the pages of an architecture book about…banks. A quick visit to “Wookieepedia” tells us that prop designer Ralph McQuarrie based the design of the Millennium Falcon on a “half-eaten hamburger next to an olive on a toothpick held by George Lucas.” However, I’m more inclined to believe he was flipping through the pages of an Otto Wagner book and came across his 1880 design for the central offices of the Vienna Giro und Kassenverein competition. Behold, the first and only piece of evidence to support this theory:


On the left, Wagner’s plan and on the right, a line drawing of the Millennium Falcon. Sure, it could just be a coincidence that a prop designer, inspired by a random grouping of hamburger, olives, and George Lucas’ fingers, recreated an unbuilt design by one of the fathers of the Vienna Secession, but the damning evidence that surely proves otherwise is the off-center cockpit (to the right in the Wagner scheme and on the left of the MF). The rounded-off appendage is just too quirky a design anomaly in both schemes — and so similarly located. Whereas the Falcon consists of multiple hidden compartments and complex passages for a network of hacked-together electrical wiring, Wagner’s design consists of a circular lobby leading to a grand processional route that culminates in a semi-circular bank of tellers’ desks and bank offices. The plan’s unique form was a response to the awkward site, and although the proposal did NOT win, Wagner was able to adapt the plan for use at the Landerbank, also in Vienna.

So now two questions remain: 1) What other proto-modern buildings have inspired starship schematics? 2) If Wagner’s bank was built, could it have made the Kessel Run in less than twelve parsecs?

Comentários

Mensagens populares deste blogue

log entry: arq. jean nouvel vs dr. evil

in here we will see the misterious similarities between two famous characters... the star architect: Jean Nouvel from france the public enemy trying to take over the world: Dr. Evil from "Austin Powers"... i wonder if Jean as a son... mini je? ...

log entry: Teoria da Relatividade [a partir do Porto]

Dizem que há apenas meia dúzia de iluminados no mundo que conseguem perceber totalmente a Teoria da Relatividade. Sempre me intrigou porque raio é que esses rapazes - como o Stephen Hawking que é um bacano, mas que fala esquisito - são assim tão à frente para a perceber, mas não conseguem ser claros a explicar à malta? Tipo fazer uma versão de bolso, um resumo, uma coisa assim mais ligeirinha, que se podia chamar talvez “olha, eu sou assim muito esperto, percebi a Teoria da Relatividade e tenho a capacidade de fazer o mais fácil, que é explicar-te isto como se fossem contas de feijões”. Não o fazem e eu sempre pensei que era por puro egoísmo e para poder dizer aos amigos “Ah e tal isto é muito difícil que só eu, o Estevão, o Zé, o Machado, o Zé Machado e mais dois ou três é que percebemos”. Pois tenho a dizer-vos, não é preciso ser-se muito esperto para perceber a Teoria da Relatividade. É sim preciso ter-se sorte e eu tive. Acordei há pouco a meio da noite em sobressalto e a perceb

log entry: "cace" project

Project: CACE centro cultural do freixo Objective: university final work Location: freixo-porto-portugal Date: 06 Concept: The main purpose of the building is to offer qualified work spaces to young companies of architecture, design, photography, and other art related business. To support this there are infrastructures that improve work and is relation with the public, such as: meeting rooms, leisure lounge spaces, public reception, bar, showroom, an auditorium with 250 seats and rooms to install invited tutors, for workshops, conferences or others. The building is a mass that gains its life in the land slope, witch is the first burst to its dynamic development. The form is then sequentially and gradually projected into the air, breaking apart volumes until reaching the river, where the form disintegrates exploding in modules suspended above the water environment. The architecture does not intend to be a forced and strange element in the